VR

Enter Your Very Own Arcade Paradise VR

April 5, 2024 By ausretrogamer

Wishlist the nostalgia-inducing arcade and light management sim today – this time it’s in VR!

Publisher Wired Productions and award-winning independent developer, Nosebleed Interactive, are thrilled to reveal that Arcade Paradise VR is releasing on 25th April 2024 for Meta Quest 2, 3 and Pro.

It’s almost time to enter the virtual realm in Arcade Paradise VR, transporting you back to 1993 for an all-new immersive experience oozing with retro-fuelled gaming nostalgia! Taking you on an empowering journey from rags to riches, Arcade Paradise is an adventure and light-management sim combo game where you transform the decrepit King Wash laundromat into a thriving business.

Set in the rundown town of Grindstone, you play as Ashley, a rebel teenager going against your father’s wishes to continue the family business. Get hands-on managing the fully gamified day-to-day tasks, from manually picking up gum, doing the laundry, and scrubbing a toilet perfectly clean – to throwing out the trash in a basketball style mini game. Then, take your hard-earned money from completing these tasks to unlock your real objective… buying more arcade units!

Featuring 12 fully realized VR cabinets alongside 27 traditionally controlled games from the original release, it’s time to play, profit and purchase your way to your very own Arcade Paradise. So, strap on your latest virtual reality tech – because the future is NOW!

Features:

12 brand-new fully realized VR arcade cabinets alongside 27, 90’s inspired, traditional controller games from the original release.
A wide range of gameplay from laundry mini-games to managing a full arcade with fully playable games cabinets.
Set high scores across each game in competitive online leaderboards.
Soundtrack composed by former The Prodigy live show member Kieron Pepper in collaboration with Black Razor Records.
Coming of age storytelling featuring award winning voice actor Doug Cockle playing your belligerent father, Gerald.
Bring the 90’s to the future with Mixed Reality, place cabinets in your living room for a whole new level of immersion.

Arcade Paradise VR launches on April 25th, 2024 on Meta Quest 2, 3 and Pro for US$19.99 / GBP£14.99 / AUD$27.32.

Press Release supplied

SPACE INVADERS: World Defense – A Cool New AR Smartphone Game

August 22, 2023 By ausretrogamer

Hold onto your blasters, because Taito – the developers of the OG Space Invaders – have unleashed Space Invaders: World Defense, a 3D augmented reality (AR) extravaganza that turns your smartphone into an alien-blasting weapon. Picture this: you’re waving your phone around in the air like you’re swatting digital mosquitoes, all in the name of defending Earth from an extraterrestrial invasion. That’s one way to get those arm muscles in shape, right? Welcome to the 21st-century workout routine, where Pokémon GO meets intergalactic cardio!

source: Taito Channel (YouTube)

And if you’re ready to embrace your inner space-pilot, you can snag this quirky game on iOS and on Android right now! Prepare to go head-to-head with pixelated invaders who’ve decided Earth is the hottest tourist spot in the universe. These little buggers are leveling up – they’re now masters of evasion, peeking out from behind buildings and doing their best dodgeball impressions. Who knew aliens had taken improv classes?

Be warned though, this isn’t just a solo mission. It’s an international showdown, as players team up across the globe to squash these pixel-pushers before they can beam up any more unsuspecting cows. High scores and special power-ups are the name of the game, and we’re praying that among those power-ups is a “Death Star Superlaser” option. Let’s be real, we could all use a planet-blasting tool to level the playing field. Otherwise, we’re leading the charge, and trust us, Earth’s fate is doomed if we’re in charge of fending off an all out alien invasion. We still can’t even fold a fitted sheet, let alone save the world.

source: Google AR & VR

The Legend Of Zelda Reimagined As A FPS DOOM VR Game

January 17, 2023 By ausretrogamer

Imagine the original The Legend Of Zelda being played in the first-person perspective like Wolfenstein or DOOM, in VR!

Imagine no more, as the below video shows a re-imagining of the NES classic, The Legend of Zelda, as a first-person virtual reality game! This impressive mod works with QuestZDoom, so we can finally becomes fans of playing The Legend of Zelda in this perspective (unless the VR makes us queasy!!).

We hope this video stays up. If it is gone by the time you get here, then know that Nintendo has meddled and killed off creativity!

source: SugaryNoe

PAX Aus 2022 – It Was Awesome

October 12, 2022 By ausretrogamer

After a 3 year in-person hiatus, the biggest gaming event in Australia was back, bigger and better as ever!

It was so awesome to see crowds flocking to PAX Aus 2022, just like they had between 2013 and 2019. Don’t get us wrong, the virtual PAX Aus events were great to have, but nothing beats the in-person experience.

Masked up and stocked with hand sanitizers, Ms. Ausretrogamer and I were glad to be back, or just like the sign said, “Welcome Home”. PAX Aus definitely feels like home, with its inclusive and diversity rich setup, the event and spaces were safe for all to enjoy.

It’s great to be back at PAX Aus!

Greetings!

Whoa, that is a big map! This is where we will end up….

Even though Melbourne experienced a torrent of rain during the course of the weekend (just like it did in 2013!), it didn’t dampen spirits, with cosplayers doing their thing, cosplaying like a boss. In the Expo Hall, we noticed that the big guns were missing (PlayStation, Nintendo and Microsoft, to name a few), but once you immersed yourself in what was on show (especially in the impressive PAX Rising area), you hardly noticed that these AAA companies weren’t there.

DarkWeb Streamer_ was our pick for best in show!

For us, PAX Aus is all about the great panels, indie developers and of course, the Freeplay area, which is still going strong and getting bigger each time we come back! From the tabletop gaming to the merch and tournaments on offer, this area is the heart of PAX Aus. The Freeplay area is also home to our beloved Classic Gaming Area (CGA)! Unfortunately we had to step back in being part of the CGA for this year, but we were so proud to see the amazing teams from Weird and Retro, Press Play On Tape, Mr. Pinball, Reality Games, Bartronica and the Pinball community create another amazing space for folks to get a hit of some intoxicating nostalgia.

source: Alex Kidman

For those of you that couldn’t make it to PAX Aus this year, we thought we’d share some photos from the event (see above and below, including the above video of the Classic Gaming Area from the equally awesome, Alex Kidman) to hopefully bring the event home to your screens and make you feel like you were there too!

Expo Hall

Freeplay Hall – including the Classic Gaming Area

VR Review: Singularity 5

February 12, 2019 By ausretrogamer

Review By Alexisms

Let’s start from the beginning, Singularity 5 is a virtual reality (VR) wave shooter for Oculus, Vive and Windows Mixed Reality. Using motion controls, I donned my Oculus to immerse myself in all things Singularity 5!

The year is 2050, you are tasked with stopping an AI uprising in Paris through five levels of quickly escalating difficulty. The game opens within an open lift travelling towards the surface. You start with a couple of very stylish pistols which give you a tiny glimpse of the graphic extravaganza to come. You first face some fairly simple static robot enemies which throw grenades which need to be battered away before they explode. They also create these shards of red veined rocks which again you must smash or will explode.

Once the surface is reached, the graphics of the city are mind-blowingly fantastic – with a kind of techno Gothic vibe. Sometimes in VR games the backgrounds can be quite muddy and indistinct but here they are very clear and beautiful using well contrasting colours of white, gold and black along with occasional neon. Of course, visuals doth not just make a game, so the music and sound effects are just as impressive and add to the whole atmosphere.

In normal mode, the difficulty soon ramps up and by level three I had to reduce it to (the recently introduced) easy mode but even then I was unable to get to level four and five. It should be noted that you can select the later levels from the menu so you won’t be left just playing half a game.

The enemies are pretty much all robots. These range from the static type lobbing grenades to robots on rolling wheels that speed directly towards you before exploding. The really hard ones are the larger robots that fire a laser straight at your head so you will have to physically move out of the way (which is so damn cool). You’ll be doing this whilst facing other robots, batting away grenades and smashing rock shards. The frenetic pace to stay alive in the game feels like a high pressure cooker – one little slip and you’re dead!

To help in your quest you have the aforementioned twin pistols. You later obtain grenade guns and machine guns. Thankfully, all these guns have infinite ammo, but do need to be constantly reloaded. You can also throw grenades but I could never get them to do anything but roll weakly towards the enemies.

In conclusion, if you love wave shooters you could do a lot worse than Singularity 5. But be warned, you’ll be sternly challenged. It may only have five levels, but if you’re a high score addict there’s plenty of scope for replayability with multiple kills increasing your combo meter. Go and grab your VR headset and check out Singularity 5.

image source: Singularity 5

Disclosure: Singularity 5 VR was kindly provided by PR Hound for this review.

Retro Gaming Festival Coming To QV Melbourne

August 27, 2018 By ausretrogamer

Woohoo, it’s Game/On at QV Melbourne from this Friday, 31 August till Sunday 23 September!

QV Melbourne welcomes the new spring season with their month long Game/On event which will feature a retro gaming world with Pacman, Donkey Kong to name just a few, gaming lounges and an Augmented Reality (AR) Scavenger Hunt, live music and lots more to get your game on!

In the QV Melbourne Retro Gaming Arcade Zone there will be all of your favourite retro video games, from Frogger, Pac-Man to Donkey Kong and Space Invaders! And guess what, it’s all FREE to be enjoyed from 11am – 7pm daily in QV Square.

image source: ms.ausretrogamer

Did you say you want competitions? Well then you are in luck! There will be plenty of Gamer vs Gamer Competitions, so grab your friends (or a few strangers) and get your game on in a Super Smash Bros. showdown in QV Square! Competitions will be held every Friday from 5pm. Heats are on the 31st August, 7th and 14th of September, with the finals taking place on Friday, 21st September. If you think you’re up for the challenge (of course you are!), then get practising and register here!

If you prefer a quest, then the Augmented Reality (AR) Scavenger Hunt is for you! Explore the QV Laneways with this exclusive and FREE AR scavenger hunt for your chance to win part of a $10,000 prize pool. Some of the great prizes up for grabs include:

– Republic Boutique gift voucher
– Dyson Supersonic Hairdryer
– $100 Bar Tab from Father’s Office
– Marshall Midi ii Bluetooth Headphones, plus more!

For more deets on the AR Scavenger Hunt, check out the T&Cs.

And for every one that just wants to immerse themselves in Game/On nostalgia, there will be a party on every Friday night from 4-7pm, with a Nintendo themed candy bar, a DJ spinning retro chiptunes and a live progressive art installation in Albert Coates Lane, painted by some of Melbourne’s most vibrant visual artists. Like we said, the best part is that it is all FREE for you to enjoy.

Oh yeah, make sure you tag @qvmelbourne and use the hashtag #QVGameOn when you visit QV Square for Game/On between Friday 31 August and Sunday 23 September to go in the draw to win a $500 QV shopping spree.

Game On like Donkey Kong!

image source: ausretrogamer at PAX Aus

Back To The Virtual Future

January 11, 2017 By ausretrogamer

image source: VR Source

We live in a brave new world of virtual reality and ‘real’ 3D experiences. The race for full-immersion is on, with big money invested in tech to transport you into a virtual world. It seems some people won’t rest until every home has access to a Star Trek style holodeck. In these heady days of VR pioneering, it’s easy to forget that the seeds were planted long ago. This post looks at early appearances of VR in popular culture that inspired the current gold rush.

Simulated reality is a very powerful idea. It strikes at the heart of the human experience and touches on existential questions about our nature. I’m not suggesting Oculus Rift is going to shed new philosophical light on the writings of Descartes, but it certainly highlights a longstanding human desire to shape our own reality.

Early science fiction novels played with the idea of virtual reality from as early as 1941. Robert A Heinlen’s book ‘They’ tells of a man confined to a mental institution because he believes he is one of the only real people alive and that the rest of the universe has been created by a few others to deceive him. This solipsistic work sets the tone for many early virtual realities. Most are generally dystopian in nature and play heavily on people’s fears of being unable to trust their own senses and the people around them. This theme reoccurs frequently in popular culture.

Phillip K. Dick, took a slightly different tack. In his 1953 novel “The Trouble with Bubbles” we first see the idea of humans creating virtual worlds for others to experience. It is an interesting concept with relevance to the creators of today’s VR experiences. The book fully explores the morality of having total control over the lives of others.

image source: DailyTech

It’s not just books that play with virtual reality. TV and films explore the trope in great detail. One of the first references to VR on TV was, of course, Star Trek. In 1974, long before Captain Picard was flouncing around the holodeck, the crew of the Enterprise has an encounter with an unusual cloud that affects their computer. The ship starts to play practical jokes; including turning the recreation room into a dangerous virtual reality area that almost kills the unfortunates who get stuck there. A far cry from the holodeck’s mainly benign incarnation in Star Trek: The Next Generation.

image source: Front Effects

Tron (1982) is one of the first examples of close human computer interaction in film and of course borrows heavily from computer games for its action scenes. Again, it is a very twisted form of reality with the main character trapped in a computerized world, fighting against the very system he programmed. The VR on display is highly advanced, with full body immersion and the very real possibility of death.

Other films like Lawnmower Man (1992) and Johnny Mnemonic (1995) come closer to the current day experience with headsets and body suits that relay information between user and applications. The Matrix (1999) has a connection straight to the brain that delivers an almost fool-proof illusion of reality. The first two have technology that is either within our grasp or very close, while the direct brain plug of the Matrix is not as far away as you might think. Advances in direct neuro controls for things like prosthetic limbs shows our understanding of the brain is expanding at a rapid rate.

You can bet that the brains behind the current crop of VR are aware of the fiction behind the science. Science fiction has always influenced technology, inviting scientists and engineers to turn the imagination of writers into reality. With the amount of money being invested in the new generation of VR, it’s only a matter of time before more outlandish ideas become reality. At the current pace, we will likely see highly convincing virtual reality with haptic feedback and all senses engaged within our lifetimes.
It is strange that something that is clearly a great fantasy for many people is inspired by popular culture that generally warns of the dangers of the technology. Let’s just hope that science fiction has only predicted the emergence of the tech and not its dystopian themes.
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Andy Trowers is a game design consultant, freelance ne’er-do-well and staff writer for www.australia.for-sale.com

A Brief History of Virtual Reality

November 14, 2016 By ausretrogamer

With the Oculus Rift and PlayStation VR well and truly on the way to our living rooms, virtual reality (VR) is the biggest news in gaming right now. But let’s rewind the clock some two and a half decades, back when Sony was working on the Nintendo Play Station and the inventor of the Oculus Rift, Palmer Luckey, was still in his diapers.

image source: Gizmodo

In 1991, SEGA announced its SEGA VR virtual reality headset for arcade games, promising immersive gaming via its head-mounted display (HMD) unit with inertial sensors tracking and reacting to a user’s head movements.

While SEGA was talking about VR, the Virtuality Group went one better by launching its stand up Virtuality pod enclosure system (the 1000 series) – the first mass-produced, networked, multiplayer location-based VR entertainment system – all powered by Amiga 3000 computers. These Virtuality pods featured a stereoscopic head-mounted display (the “Visette”), an exoskeleton touch glove to ‘feel’ objects in the virtual world, and a ‘fast track’ magnetic source built into the waist-high ring with a receiver which tracked the player’s movement in real time within the enclosure – a truly immersive VR experience. Virtuality later introduced joysticks, steering wheels, and an aircraft yoke for control.

image source: DVD Fever

With the VR craze gaining mass consumer attention, it was inevitable that the technology would find its way into the lucrative home video games market. In 1993, SEGA was working hard to port its SEGA VR arcade HMD to its hit Mega Drive/Genesis console, but due to development difficulties, the console SEGA VR headset remained only a prototype, and was never released to the gaming public.

To fill the void, VictorMaxx entered the market with the world’s first consumer VR HMD, the StuntMaster (VM1000) – the technology being developed under license from Future Vision Technologies. The StuntMaster was released in 1993 for USD$219.95 and came with assemblies to connect to both the Mega Drive/Genesis and the Super Nintendo consoles. The StuntMaster sported a tracking stem on the head unit which had fast response times and accurate positioning, but the low resolution, lack of VR specific games, and prolonged use causing motion sickness meant that the StuntMaster never caught on with gamers.

By 1994, home consoles became exponentially more powerful than the previous generation, meaning that VR could finally realise its full potential in the home. That year, Atari jumped on the VR bandwagon by signing a deal with Virtuality to design, develop, and produce a VR HMD for its 64-bit Jaguar home console. The Jaguar VR HMD was slated for a Christmas 1995 release, but financial woes at Atari caused the program to be abandoned, resulting in the Jaguar VR HMD being thrown on the already full failed VR scrapheap. To recoup its losses, Virtuality sold the Jaguar VR HMD technology to prolific Japanese toy manufacturer Takara and the huge electronics giant Philips.

In 1996, both companies raced to have a VR HMD on the market, with Takara producing and releasing the TAK-8510 Dynovisor HMD and Philips its Scuba Visor. These units sported the Pupil Projection System, which had a (then) ground-breaking 120-degree field of view (FOV) display using Sony’s TFT LCD (thin film transistor LCD) screens. Coupled with the display was stereo sound and Inter Pupil Distance (IPD) focus adjustment – perfect for any user personalisation. The Dynovisor and Scuba could be used with any console that had composite video and red/white analogue audio ports (the PC version of the Dynovisor also came with a custom VGA PC interface). Neither units had motion tracking, hence their relatively low retail price (¥38,800 / USD$320). Like their contemporaries, they failed due to a lack of VR specific software and causing many a headaches after prolonged use.

Having recently experienced 1990s VR via Takara’s Dynovisor HMD, we can vouch that it won’t make you sick like the Virtual Boy, but that may be down to the unit having no motion tracking. After playing countless platform, driving, shoot-’em-up, and fighting games, we reckon that racing games are best suited for playing on an old VR HMD – but not for too long! These units came with a warning to rest your eyes after 30 minutes of play, and this is all for good reason.

Playing on these old-school VR HMDs is like having an IMAX screen two inches away from your eyeballs – there is a lot to take in – which works well, thanks to the 120-degree FOV. But after 30 minutes, your eyes will be begging you for a rest from the visual onslaught. Of course, none of the old games played on the unit were designed to take advantage of virtual reality, so the experience lacked the full VR immersion – a shame.

image source: eBay

On the PC front, it was VictorMaxx’s CyberMaxx model 2.0 HMD that provided the VR ‘hit’ PC gamers had been craving for. With higher resolution and improved optics than its previous 120 model (released in November 1994 for USD$499), the CyberMaxx 2.0 model also had dynamic stereo sound, focus adjustment for each eye, and real time yaw, pitch, and roll head-tracking, providing 3D stereoscopic images via compatible software. Released in August 1995 with a suggested retail price of USD$889, the CyberMaxx 2.0 didn’t take off, with management concluding that its headset was not likely to gain widespread consumer acceptance at its suggested retail price. By the end of 1996, VictorMaxx exited the consumer electronics business, thus ending the future of the CyberMaxx VR product line. However, there is hope that the legacy of the CyberMaxx will lead the current (promised) VR products to good stead.

Walking through the 1990s VR product graveyard, a common headstone could summarise the reason for their failure: “Here rests a product which caused severe headaches, induced motion sickness, lacked great software, and was a concept ahead of the technology available at the time.” Fast forward to 2016 and we have our fingers crossed for the imminent VR products to hit the market, and hope that they will deliver on the promises of their predecessors. Viva la VR!
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Alex Boz, Editor-In-Chief / Video Game Historian
Alex is a collector, arcade extraordinaire, pinball tragic, an Atarian and a C64 lover. Alex has been gaming since the early 80s when the weapon of choice was a joystick with a single fire button.

Follow Alex Boz on Twitter

This post originally published on Push Square February 17 2016.

Black Mirror Goes Retro

October 23, 2016 By ausretrogamer

Black Mirror is back with new episodes and it’s as dark, beautiful, fascinating and sharp as ever. It’s everything a good sci-fi TV series should be, that Charlie Brooker is a genius!

Black Mirror takes aim at social media in Nosedive and Hated In the Nation, while Playtest is an Inception-like mind-bending cautionary tale about VR. They’re all fantastic, but our real favourite is the uplifting and beautiful San Junipero (episode 4). It’s simply oozing with retro goodness: music, fashion, and (most importantly) arcades from the 80s and 90s! Here are some nods to video gaming pop culture that we spotted in San Junipero as well as Playtest. Did you spot others?

Edge magazine makes a cameo in the Playtest episode, Black Mirror series 3

Look closely at those shelves, you may see some retro goodies

Perhaps Charlie Brooker is a fan of Edge magazine…

We spot some PS3 and PS4 gaming goodies!

Going back to 1987 in episode 4, San Junipero

We’d be smiling too if we were about to play Bubble Bobble!

Ah, Nemesis (aka: Gradius) is there too!

The golden age of arcades make it too!

No way, Time Crisis!

We really need to visit Tucker’s!

Image source: Black Mirror on Netflix

First Impressions: PlayStation VR

October 18, 2016 By ausretrogamer

We’ve had our fair share of Virtual Reality (VR) experience, albeit, from the 1990s. We’ve even written about our walk-through the VR graveyard from two decades ago. When PlayStation announced that they were going to produce a VR add-on for their PS4 console, we reserved judgement till its release. Well, the PS VR is now out and we got our trusted friend and VR aficionado, Alex (aka:Alexpletives), to give us his first impressions based on the ease of setup, design, comfort and most importantly, performance and gaming experience.

Ease of setup:
The first thing that struck me about the PS VR was how easy it was to setup. Once switched on, position your head in the centre of the camera, and that’s it! Doesn’t get much easier than that!

Instructions! Bah, seems easy enough, and it is!

Design:
The design is genius, making the plugging in of the bits and pieces an absolute breeze. Just in case there are some of you that want to know how all this VR’ing hangs together, here we go: the VR headset plugs into the extension with the inline remote which features the volume, mute and VR on / off buttons. The other clever design are the raised volume buttons and sunken mute on/off buttons – you’ll always know, by feel, which buttons you are interacting with.

Turn me up!

All leads lead to the Processor Unit. Each lead is numbered which makes it damn simple to get all plugged in. The best part is, you can connect other systems via HDMI, like the Xbox One!

Easy as 1, 2, 3!

Comfort:
Right off the bat, the PS VR was way more comfortable to wear than the Oculus Rift. When using my Oculus Rift I tend to get quite sweaty, but with the PS VR, I didn’t have such a problem. The strap tightness is cleverly independent of how near the actual headset is to your face. The button under the visor enables it to be moved forward and back independent of the strap. This provides superior comfort as you can have the strap nice and tight, with the the visor just resting against your face. In comparison, the Oculus feels like wearing a diving mask.

Strap me in baby!

Lenses and surrounding rubber – very soft and lovely, oo’er

The PS VR aural experience is provided by in-ear headphones which clip in the inline remote on the main cord running from the PS VR. Volume still comes out of the TV so your guests can hear and see what you’re doing.

And I can’t go without mentioning the lens cloth that comes with the PS VR – it is beautifully embossed with the triangle, circle, X and square buttons, a very nice touch indeed.

psvr_cloth

Performance and gaming experience:
The very first game that I tried was DRIVECLUB VR. I noticed immediately that the VR version had lost a fair bit of detail compared to its non-VR graphical tour de force counterpart. The vehicle detail was still as good, but track-side detail was vastly cut down (with reduced lighting). You don’t really notice it when racing, but you do if you look around. I’m sure the casual DRIVECLUB VR player will not notice these little niggles, as it doesn’t impact the racing.

DRIVECLUB VR

Scavengers Odyssey

source: Playstation

The next experience was provided from VR Worlds, via Scavengers Odyssey – it was damn good! I did suffer some motion sickness, which was generated by moving back and forth and side to side within the game but not in the real world. The brain was seeing you move but no feeling to match it, so that stuffs up spatial awareness. It didn’t make me stop playing (it was that good), but its effects did linger for a few hours.

Ocean Descent

source: Playstation

Also from VR Worlds, I hit Ocean Descent, where you are lowered in a cage deep into the sea. I didn’t do the shark attack part though, as I knew it was scary (it was that real!). The experience was intense – you felt like you were right there in the cage with full 360 degree views, with fish everywhere and an absolutely beautiful manta ray with a 9-foot wing span leisurely gliding about. It was very impressive. There was a nice touch with the light on your helmet spilling light on wherever your head turned.

VR Luge

source: Playstation

The other VR Worlds game I tried was VR Luge. This one was a bit of hit and miss. There was a nice sensation of speed, but for some reason the 3D felt flat. Having limited depth perception made it difficult to judge how far things were. Apart from this issue, VR Luge was as good as it could be given the power (when compared to a high-end PC rig with an Oculus Rift).

Overall the performance was as expected, nothing more, nothing less. What PS VR really needs (to succeed) is a VR killer app. Just like Tetris on the Game Boy, the PS VR needs its own special bit of software that can provide its unique experience that would not work without VR.

Final thoughts:
One point that keeps plaguing VR is the inducement of nausea. Whether that goes away the more you use it, I don’t really know. Do astronauts get used to zero gravity? Well, they learn to live with it, don’t they?

Every person I have shown PS VR has been blown away by it. VR is something that can only be appreciated by experience. I could talk until I’m blue in the face about the immersion and instinctive feelings it generates whether they be fear, exhilaration or just plain enjoyment. But experiencing it really is believing.

These are pioneering days of VR, if you discount the crude shenanigans of the 90s. Developers will need time to harness the power of VR which will hopefully lead to wonderful games and experiences. We just have to be patient.

The future is here
psvr_isometric

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Alexisms (aka: Alexpletives)
UK based gamer with a taste for the bleeding edge in gaming. Cystic Fibrosis sufferer, 15 years post heart and double lung transplant, diabetic. You’ve got to laugh, er I think!